Energy/Water Balancing Symbol Experiment

Here is an interesting experiment.

Experimental Symbol 1

Experimental Symbol 2

The above symbols are made with specific ancient geometry principals and contains resonating mathematical sequencing number patterns and word intentions.

  • Symbol 1 contains a powerful higher harmonic frequency, Tibetan Buddhist colors, and one of the most powerful symbols we have ever tested, the 12-Pointed Tesseract (see the book "Shape Power" by Dan A. Davidson), and the standard 9 Solfeggio Frequencies.
  • Symbol 2 also contains a powerful higher harmonic frequency, Tibetan Buddhist colors, the symbol for Nuclear Evolution, and the 12-Pointed Tesseract along with the complete set of 12 Solfeggio Harmonic Frequencies.
  • Symbol 3 is a simplified version of the pattern. You can try either or both symbols and compare results.

If you print the patterns out and place them under or on your drinking water container they may, have a beneficial effect on the water. When you drink the water it might be different (and better) than ordinary water without this energetic patterning treatment. This could be amplified by thanking the water and loving the water directly from your heart/mind/being during a silent moment.

We printed several copies of Symbol 2 with our color laser printer, laminated them, then cut them out like circular coasters and place them under water bottles and glasses. We also carry them in our pocket to use under cups, glasses, and food plates in restaurants. As an added boost, we sprinkled magnetite (black sand) on the back side of some of the symbol coasters, and then laminated; on others, we placed a miniature flat disc magnet on each of the 12 points on the front side of Symbol 2 and then laminated all together.

Dr. Emoto in Japan has done extensive research with this type of symbolism which produces results that cannot be denied. When you drink the charged water, the benefits may be noticeable. It could be good for pet water, plant water, swimming pools, and so forth. Use your intuition and imagination. Now who wouldn't drink to that!

For your convenience, we have placed four of the primary symbol on a single sheet of paper in Adobe .pdf format so you can easily print a full sheet of symbols at one time in high quality on any color printer. Download the .pdf file HERE. (Right-click and choose "Save Target As...")

The Use of Tonal Frequencies to Enhance, Heal, & Rejuvenate by Philip Ledoux

In Healing Codes for the Biological apocalypse Dr. Leonard G. Horowitz and Dr. Joseph S. Puleo published the Secret Solfeggio Frequencies. Basically it is the "Doe, Rae, Mi, Fa, So, La, Ti, Doe" diatonic scale which we all learn in the first few grades of school.

Over time, the pitch of this diatonic scale has changed and somehow Horowitz and Puleo found the original pitch frequencies.

In the Solfeggio, "Ti" is missing and what we call "Doe" was known as "Ut". Here are the original pitch frequencies of these six notes:

  1. Ut = 396Hz which reduces to 9 [reducing numbers: 3+9 = 12 = 1 + 2 = 3 ; 3+ 6 = 9]
  2. Re = 417Hz which reduces to 3
  3. Mi = 528Hz which reduces to 6
  4. Fa = 639Hz which reduces to 9
  5. Sol = 741Hz which reduces to 3
  6. La = 852Hz which reduces to 6

They also state that Mi is for "Miracles" or 528Hz - is the exact frequency used by genetic engineers throughout the world to repair DNA.

Another interesting tidbit that the authors included as a musical scale with words, from the work of John Keely; where Keely related the hues (not pigment colors) of light related to musical notes. On the "G-Clef" with "C" being the first line below the staff and continuing up the scale and up the staff:

  • C = Red = Tonic
  • D = Orange = Super Tonic
  • E = Yellow = Mediant
  • F = Green = Sub Dominant
  • G = Blue = Dominant
  • A = Indigo = Super Dominant, Sub Mediant
  • B = Violet = Leading Tone, Sub Tonic
  • C = Red = Octave

Also included with this chart was another from the Dinshah Health Society:

  • Red = 397.3Hz Closest Note: G = 392Hz
  • Orange = 430.8 Closest Note: A = 440
  • Yellow = 464.4 Closest Note: A# = 466
  • Lemon = 497.9 Closest Note: B = 494
  • Green = 431.5 Closest Note: C = 523
  • Turquoise = 565.0 Closest Note: C# = 554
  • Blue = 598.6 Closest Note: D = 587
  • Indigo = 632.1 Closest Note: D# = 622
  • Violet = 665.7 Closest Note: E = 659
  • Purple = 565.0 (reverse polarity) Closest Note: A# and E = 562 (both reverse polarity)
  • Magenta = 531.5 (reverse polarity) Closest Note: G and E =525 (both reverse polarity)
  • Scarlet = 497.9 (reverse polarity) Closest Note: G# and D = 501 (both reverse polarity)

From www.lightwithin.com this additional information is gleaned:

The Six Solfeggio Frequencies include:

  • UT - 396 Hz - Liberating Guilt and Fear
  • RE - 417 Hz - Undoing Situations and Facilitating Change
  • MI - 528 Hz - Transformation and Miracles (DNA Repair)
  • FA - 639 Hz - Connecting/Relationships
  • SOL - 741 Hz - Awakening Intuition
  • LA - 852 Hz - Returning to Spiritual Order Larger print out of this graph

The basic Solfeggio frequencies totaled six (6). Horowitz continued his search through the years and extended it to 9 frequencies. 'Most everyone is familiar with the Star of David which uses two triangles (inverted to each other) inscribed within a circle. If one uses the same approach for three triangles overlapping (no inversions) and space them approximately 40 degrees apart around a circle, some amazing relationships appear. Orient the circle with one triangle apex at North or zero degrees. Label that 396. At the next clockwise point label 417, the next 528, the next 639, the next 741 and the last 852. You now have the basic six Solfeggio frequencies.

The numbers we have so far added to our circle of numbers have a pattern to them: Any number connected by a line, for example 396 and 639, if you take the smaller number and move the last digit to the first position, you have created the line-linked number. [move the 6 of 396 to the front and you have 639] Likewise 417 by moving the 7 creates 741, both numbers are line linked. And 528 by moving the 8 creates 852 both numbers line linked.

As created so far, we have 3 missing numbers, but they can easily be created by applying this moving of digits positions. Take the triangle that has 396 and 639. If we take the 9 and move it to the first position we have 963, which is one of the extended Solfeggio frequencies! Thusly we can now continue the circle one more position by adding 963. Applying this same logic to the 417 and 741 triangle to fill in the missing number we move the 1 to the first position to develop 174 which is another extended Solfeggio number. Continuing clockwise add 174 to the number sequence. And the 528 and 852 triangle if we move the 2 to the first position we have 285, the final missing extended Solfeggio number. So elegantly simple.

Take a piece of paper and lightly grid it off for a large "tic-tac-toe" game. Across the top place the smallest number in the upper left corner; continue horizontally with the line-linked (triangle) numbers 417, 741. In the middle line, left position place the second in clockwise numbering (285), continue horizontally with its line-linked numbers 528, 852. The last horizontal line starts 396 and continues 639, 963. Now for some surprises. Compute the difference between all the vertical row numbers; they are all 111. Compute the differences between the horizontal row numbers; left row and center row all = 243 and center row to right row differences are all 324. And here we go again with the move the last digit to the first position move the 3 of 243 to the front and we have 324.

174 <- dif: 243 -> 417 <- dif: 324 -> 741 dif: 111 dif: 111 dif: 111 285 <- dif: 243 -> 528 <- dif: 324 -> 852 dif: 111 dif: 111 dif: 111 396 <- dif: 111 -> 639 <- dif: 324 -> 963

The end result of all this or summation is the simple fact that you need to remember only two numbers: 174 and 111, and remember the principle of 3 overlapping triangles so that their points are about 40 degrees apart creating nine points around a circle and moving the last digit to the first position.

Harmonic Sums

Once the diagram is set, and 174 is placed in any starting position, move the last digit to the first position creating 417 which is the next number (clockwise) in the triangle, then move 7 to the first position creating 741 which is the last number in the triangle. This connects 174, 417 and 741. The next step is to add 111 to 174 which gives 285; this becomes the next clockwise number from 174. Now move the last digit to the first position creating 528 of this triangle and so on to complete the total 9 frequencies and their relative positions. Logical, sequential and amazingly simple!

One does not need to be a number genius, nor a math PhD to recognize that there must be something special to this numbering sequence of the extended Solfeggio numbers. Horowitz places 528 in the center of the circle with the words "LOVE" and "THANKS." I am not thoroughly conversant with the application of these numbers. Horowitz and Puleo state that these numbers are the key to creation and destruction. On other sites, it is implied that one should apply the real frequencies to the corresponding points on the circle we constructed, I assume a metallic plate. With the equipment that most people have available, only one frequency at a time can be generated. Thusly, 9 different frequencies at their appropriate points for equal amounts of time. I personally wonder what would happen if one would apply 9 frequency generators to their respective points all operating simultaneously.